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Titel:	A familiar strangeness American fiction and the language of photography, 1839 - 1945
Von:	Stuart Burrows
Person:	Burrows, Stuart 1967- Verfasser aut
Hauptverfasser:	Burrows, Stuart 1967- (VerfasserIn)
Format:	Buch
Sprache:	Englisch
Veröffentlicht:	Athens [u.a.] Univ. of Georgia Press 2008
Notation:	HR 1819 HT 1691 HU 1691
Schlagwörter:	Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1839-1945 American fiction > 19th century > History and criticism Literature and photography > United States Modernism (Literature) American fiction > 20th century > History and criticism Realism in literature Visual perception in literature Roman Fotografie USA
Medienzugang:	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017003305&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017003305&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA
Beschreibung:	Includes bibliographical references and index
Umfang:	XII, 287 S.
ISBN:	9780820331744 0820331740

Internformat

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Datensatz im Suchindex

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adam_text	literary critics have traditionally suggested that the invention of photography led to the rise of the realist novel, which is believed to imitate the detail and accuracy of the photographic image. Instead, says Stuart Burrows, photography s influence on American fiction had less to do with any for¬ mal similarity between the two media than with the capacity of photography to render American identity and history homogeneous and reproducible. The camera, according to Burrows, provoked a representational crisis, one broadly modernist in character. Since the photograph is not only a copy of its subject but a physical product of it, the camera can be seen as actually challenging mimetic or realistic theories of representation, which de¬ pend on a recognizable gap between original and reproduction. Burrows argues for the centrality of pho¬ tography to a set of writers commonly thought of as hostile to the camera — including Na¬ thaniel Hawthorne, Henry James, William Faulkner, and Zora Neale Hurston. The photographic metaphors and allusions to the medium that appear throughout these writers work demonstrate the ways in which one representational form actually influences another — by changing how artists conceive of identity, history, and art itself. A Familiar Strangeness thus challenges the notion of an absolute break between nineteenth-century realism and twentieth- century modernism, a break that typically centers precisely on the two movements sup¬ posedly differing relation to the camera. Just as modernist fiction interrupts and questions the link between visuality and knowledge, so American realist fiction can be understood as making the world less knowable precisely by making it more visible. Contents Acknowledgments ix Introduction. Likeness Men : Fiction and Photography i one Nature Herself: Hawthorne s Self-Representation 28 two Resembling Oneself: James s Photographic Types 71 three Vanishing Race: Faulkner s Photographic Face 115 four Seeing Myself like Somebody Else : Hurston s Similarities 154 Conclusion. Likeness Has Ceased to Be of Any Help: Fiction and Film 199 Notes 219 Bibliography 257 Index 277
any_adam_object	1
author	Burrows, Stuart 1967-
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era	Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1839-1945 gnd
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spellingShingle	Burrows, Stuart 1967- A familiar strangeness American fiction and the language of photography, 1839 - 1945 American fiction 19th century History and criticism Literature and photography United States Modernism (Literature) American fiction 20th century History and criticism Realism in literature Visual perception in literature Roman (DE-588)4050479-7 gnd Fotografie (DE-588)4045895-7 gnd
subject_GND	(DE-588)4050479-7 (DE-588)4045895-7 (DE-588)4078704-7
title	A familiar strangeness American fiction and the language of photography, 1839 - 1945
title_auth	A familiar strangeness American fiction and the language of photography, 1839 - 1945
title_exact_search	A familiar strangeness American fiction and the language of photography, 1839 - 1945
title_full	A familiar strangeness American fiction and the language of photography, 1839 - 1945 Stuart Burrows
title_fullStr	A familiar strangeness American fiction and the language of photography, 1839 - 1945 Stuart Burrows
title_full_unstemmed	A familiar strangeness American fiction and the language of photography, 1839 - 1945 Stuart Burrows
title_short	A familiar strangeness
title_sort	a familiar strangeness american fiction and the language of photography 1839 1945
title_sub	American fiction and the language of photography, 1839 - 1945
topic	American fiction 19th century History and criticism Literature and photography United States Modernism (Literature) American fiction 20th century History and criticism Realism in literature Visual perception in literature Roman (DE-588)4050479-7 gnd Fotografie (DE-588)4045895-7 gnd
topic_facet	American fiction 19th century History and criticism Literature and photography United States Modernism (Literature) American fiction 20th century History and criticism Realism in literature Visual perception in literature Roman Fotografie USA
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