Gespeichert in:
| Titel: | Sound in space - space in sound proceedings ; SMC 08, 5thSound and Music Computing Conference, July 31st - August 3rd 2008, Berlin, Germany |
|---|---|
| Von: |
SMC 08, 5th Sound and Music Computing Conference. Ed. by Martin Supper ... Organized by German Association of Electroacoustic Music (DEGEM) ...
|
| Person: |
Supper, Martin
1947- |
| Weitere beteiligte Personen: | |
| Format: | Tagungsbericht Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Berlin
Univ.-Verl. der TU, Universitätsbibliothek
[2008]
|
| Notation: | LR 11370 |
| Schlagwörter: | |
| Medienzugang: | http://www.ub.tu-berlin.de/index.php?id=2095#c8393 http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017177250&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Beschreibung: | Literaturangaben |
| Umfang: | 186 S. Ill., graph. Darst., Notenbeisp. 30 cm |
| ISBN: | 9783798320949 |
Internformat
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Datensatz im Suchindex
| _version_ | 1819369981283926016 |
|---|---|
| adam_text | Contents
Session 1
Artificial Intelligence, Machine Learning, Genetic Algorithms
An
А
-Life Approach to Machine Learning of Musical Worldviews for Improvisation Systems
(Marcelo
Gimenes and
Eduardo
R.
Miranda)
.................................................................................................... 1
Breeding Rhythms with Artificial Life
(Joao M. Martins,
Eduardo
R.
Miranda)
............................................................................................................ 9
Melody Characterization by a Genetic Fuzzy System
(Pedro J. Ponce
de León,
David
Rizo,
Rafael Ramirez)
.................................................................................... 15
Expressive Performance in the Human Tenor Voice
(Maria
Cristina
Marinescu, Rafael Ramirez)
.................................................................................................... 24
Modeling Moods in Violin Performances
(Alfonso Perez, Rafael Ramirez, Stefan
Kersten)
............................................................................................. 30
Session
2
Spatialisation Technologies
RetroSpat: a Perception-Based System for Semi-Automatic Diffusion of Acousmatic Music
(Joan Mouba,
Sylvain Marchand,
Boris Mansencal, Jean-Michel Rivet)
.......................................................... 33
Asymmetrical Envelope Shapes in Sound Spatialization
(Francesco Canavese, Francesco
Giorni,
Damiano
Meacci,
Kilián
Schwoon).................................................. 41
Distance
Encoding in Ambisonics Using Three Angular Coordinates
(Rui Penha)........................................................................................................................................................
46
Granular sound spatialization using dictionary-based methods
(Aaron McLeran, Curtis Roads, Bob L. Sturm, John J. Shynk)
........................................................................ 49
Session
3
Perception of Space
Vocabulary of space perception in electroacoustic musics composed or spatialised in pentaphony
(Bertrand
Merlier)..............................................................................................................................................
54
Sound as Multiplicity: Spaces and representations in computer music composition
(Arturo Fuentes).................................................................................................................................................
65
Session
4:
Performance and Interaction
Sound Spatialisation, Free Improvisation and Ambiguity
(James Mooney, Paul Bell, Adam Parkinson)
.................................................................................................. 69
Traditional and digital music instruments
:
a relationship based on a interactive model
(Paulo Ferreira-Lopes)
....................................................................................................................................... 73
Session 5: Space in Sound. Aesthetical
Aspects
Memory Space
(Simon Emmerson)............................................................................................................................................ 78
Echi tra le
Volte,
a sound design project for churches
(Andrea Taroppi)
................................................................................................................................................ 81
Spatial Orchestration
(Eric Lyon)......................................................................................................................................................... 84
Applications of Typomorphology in A cute; Scoring the Ideal and its Mirror.
(Ricardo
Climent)
.............................................................................................................................................. 86
Space resonating through sound
(Fernando Iazzetta, Lilian Campesato)
.............................................................................................................. 89
Session
6:
Space in Sound. Musicological Aspects
Space as an Evolution Strategy. Sketch of a Generative Ecosystemic Structure of Sound
(Massimo Scamarcio)
......................................................................................................................................... 95
Textural
Composition and its Space
(Kerry
Hagan)
.................................................................................................................................................... 100
Sound in Cyberspace: Exploring Material
Technoculture
(Marilou Polymeropoulou)
................................................................................................................................ 107
Towards a decodification of the graphical scores of Anestis Logothetis
(1921-1994).
The graphical space of
Ody
see
(1963).
(Baveli Maria-Dimitra, Georgaki
Anastasia)
.....................................................................................................
Ill
Session
7:
Algorithms and Environments for Music Composition
CompScheme: A Language for Composition and Stochastic Synthesis
(Luc Döbereiner)................................................................................................................................................ 118
A dynamic spatial locator ugen for CLM
(Fernando Lopez-Lezcano)
................................................................................................................................ 129
Zsa.Descriptors: a library for real-time descriptors analysis
(Mikhail Malt, Emmanuel Jourdan)
................................................................................................................... 134
Ephemeron: Control over Self-Organised Music
(Phivos-Angelos Kollias)
................................................................................................................................... 138
An algorithm for real-time harmonic microtuning
(Marc Sabat)
....................................................................................................................................................... 147
Session 8: Studio Reports and Environments
Novars
research
entre,
University of
Manchester,
UK. Studio report
(Ricardo
Climent, David Berezan, Andrew Davison)
........................................................................................ 154
Speaker-Herd: A Multichannel Loudspeaker Project for Miscellaneous Spaces,
Loudspeaker Architectures and Composition Approaches
(P. Modler, L.
Fütterer, E.
Farchmin,
F. Bierlein,
R. Raepple, D.
Loscher,
T.
Möhrmann,
A. Rafinsky, M. Zielke, A. Kerschkewitz,
A. Unger)
................................................................. 157
Session
9:
Feature
Extraction and Classification
Modeling Affective Content of Music: A Knowledge Base Approach
(Antonio Pedro
Oliviera,
Amílcar
Cardoso)
....................................................................................................... 162
Mode-dependent Differences in Chord Classification under an
Original Computational Method of Tonal Structure Analysis
(Mirosław
Majchrzak)
........................................................................................................................................ 168
Session
10:
Sound Synthesis
Concatenative Synthesis of Expressive Saxophone Performance
(Stefan
Kersten,
Rafael Ramirez)
....................................................................................................................... 174
Designing and Synthesizing Delay-Based Digital Audio Effects using
the CORDIS
ANIMA
Physical Modeling Formalism
(Kontogeorgakopoulos Alexandros,
Cadoz
Claude)
.......................................................................................... 178
Extending voice-driven synthesis to audio mosaicing
(Jordi Janer,
Maarten de Boer)
........................................................................................................................... 183
|
| any_adam_object | 1 |
| author2 | Supper, Martin 1947- |
| author2_role | edt |
| author2_variant | m s ms |
| author_GND | (DE-588)173145574 |
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| classification_rvk | LR 11370 |
| ctrlnum | (OCoLC)277195286 (DE-599)DNB990278735 |
| dewey-full | 786.76 786.7 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 786 - Keyboard & other instruments |
| dewey-raw | 786.76 786.7 |
| dewey-search | 786.76 786.7 |
| dewey-sort | 3786.76 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Conference Proceeding Book |
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| spellingShingle | Sound in space - space in sound proceedings ; SMC 08, 5thSound and Music Computing Conference, July 31st - August 3rd 2008, Berlin, Germany Musik Computer music History and criticism Congresses Electronic music History and criticism Congresses Music and technology Congresses Music Computer programs Congresses Elektronische Musik (DE-588)4014355-7 gnd Elektronische Tonerzeugung (DE-588)4014357-0 gnd |
| subject_GND | (DE-588)4014355-7 (DE-588)4014357-0 (DE-588)1071861417 |
| title | Sound in space - space in sound proceedings ; SMC 08, 5thSound and Music Computing Conference, July 31st - August 3rd 2008, Berlin, Germany |
| title_auth | Sound in space - space in sound proceedings ; SMC 08, 5thSound and Music Computing Conference, July 31st - August 3rd 2008, Berlin, Germany |
| title_exact_search | Sound in space - space in sound proceedings ; SMC 08, 5thSound and Music Computing Conference, July 31st - August 3rd 2008, Berlin, Germany |
| title_full | Sound in space - space in sound proceedings ; SMC 08, 5thSound and Music Computing Conference, July 31st - August 3rd 2008, Berlin, Germany SMC 08, 5th Sound and Music Computing Conference. Ed. by Martin Supper ... Organized by German Association of Electroacoustic Music (DEGEM) ... |
| title_fullStr | Sound in space - space in sound proceedings ; SMC 08, 5thSound and Music Computing Conference, July 31st - August 3rd 2008, Berlin, Germany SMC 08, 5th Sound and Music Computing Conference. Ed. by Martin Supper ... Organized by German Association of Electroacoustic Music (DEGEM) ... |
| title_full_unstemmed | Sound in space - space in sound proceedings ; SMC 08, 5thSound and Music Computing Conference, July 31st - August 3rd 2008, Berlin, Germany SMC 08, 5th Sound and Music Computing Conference. Ed. by Martin Supper ... Organized by German Association of Electroacoustic Music (DEGEM) ... |
| title_short | Sound in space - space in sound |
| title_sort | sound in space space in sound proceedings smc 08 5thsound and music computing conference july 31st august 3rd 2008 berlin germany |
| title_sub | proceedings ; SMC 08, 5thSound and Music Computing Conference, July 31st - August 3rd 2008, Berlin, Germany |
| topic | Musik Computer music History and criticism Congresses Electronic music History and criticism Congresses Music and technology Congresses Music Computer programs Congresses Elektronische Musik (DE-588)4014355-7 gnd Elektronische Tonerzeugung (DE-588)4014357-0 gnd |
| topic_facet | Musik Computer music History and criticism Congresses Electronic music History and criticism Congresses Music and technology Congresses Music Computer programs Congresses Elektronische Musik Elektronische Tonerzeugung Konferenzschrift 2008 Berlin |
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