Verfügbarkeit: Johannes Brahms, "free but alone"

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Bibliographische Detailangaben
Titel:	Johannes Brahms, "free but alone" a life for a poetic music
Von:	Constantin Floros ; translated by Ernest Bernhardt-Kabisch
Person:	Floros, Constantin 1930- Verfasser aut Bernhardt-Kabisch, Ernest Sonstige
Hauptverfasser:	Floros, Constantin 1930- (VerfasserIn)
Format:	Buch
Sprache:	Englisch Deutsch
Veröffentlicht:	Frankfurt am Main [u.a.] Lang 2010
Notation:	LP 63382
Schlagwörter:	Brahms, Johannes > 1833-1897 Composers > Germany > Biography Deutschland Biografie
Medienzugang:	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020678454&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
Umfang:	X, 291 S. Ill., Notenbeisp.
ISBN:	9783631612606

Internformat

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Datensatz im Suchindex

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adam_text	TABLE OF CONTENTS ABBREVIATIONS X PREFACE 1 FREI ABER EINSAM: SOLITUDE AS THE PRICE OF FREEDOM BRAHMS S RETICENCE - AN AMBIVALENT PERSONALITY? - YOUTH IN HAMBURG - CHARACTERIZATIONS OF THE YOUNG BRAHMS (CLARA SCHUMANN, ALBERT DIETRICH, JOSEPH JOACHIM) - A SINGLE BY CHOICE - FOCUS ON CREATIVE WORK - RELATION TO WOMEN AND ATTITUDE TOWARD MARRIAGE - FEAR ALSO OF PROFESSIONAL COMMITMENT - PREFERENCE FOR FREELANCE WORK - BRAHMS S AND JOACHIM S MAXIM 5 POLARITIES JANUS-HEADEDNESS IN MODERN ART AND INTELLECTUAL HISTORY - BRAHMS BETWEEN MIRTH AND MELANCHOLY * HIS MUSIC AS A REFLECTION OF HIS PERSONALITY - MOODS OF HIS MUSIC: FROM MESTO TO GIOCOSO - CHARACTER OF THE YOUNG KREISLER - THE VARIATIONS FOR PIANO OP. 9 - CAPRICCI AND INTERMEZZI - SIMULTANEOUS COMPOSITION OF WORKS OF A DIAMETRICALLY OPPOSITE CHARACTER - THE ACADEMIC FESTIVAL OVERTURE OP. 80 AND THE TRAGIC OVERTURE OP. 81 - PREDILECTION FOR PAIRED WORKS OF IDENTICAL INSTRUMENTATION - CONTRARINESS OF THE TWO PIANO CONCERTOS AND THE TWO CELLO SONATAS 1 BIBLIOGRAFISCHE INFORMATIONEN HTTP://D-NB.INFO/1002957222 DIGITALISIERT DURCH MOTHER: THE GERMAN REQUIEM OP. 45 AND THE HORN TRIO OP. 40 - AGATHE VON SIEBOLD AND THE SECOND STRING SEXTET OP 36 - THE AGATHE ANAGRAM IN THE CHORAL PIECE FOR WOMEN UND GEHST DU UEBER DEN FRIEDHOF ( WHEN YOU CROSS THE CHURCHYARD ) OP. 44, NO. 10 - THE RELATIONSHIP WITH CLARA SCHUMANN - THE PIANO VARIATIONS OP. 9 - THE PRESENCE OF CLARA AND ROBERT SCHUMANN IN WORKS BY BRAHMS - THE VIER ERNSTEN GESAENGE ( FOUR SERIOUS SONGS ) AS AN OFFERING FOR THE DEAD 42 BETWEEN THE FRONTS RESTORATION AND REVOLUTION - OPPOSITION BETWEEN CONSERVATIVES AND PROGRESSIVES - BRAHMS AS ANTI-POPE - THE IDEA OF PROGRESS - BRAHMS S RETROSPECTIVE ATTITUDE - VENERATION FOR THE ART OF THE PAST AND REJECTION OF THE AVANT-GARDE - ATTITUDE TOWARD FORM - IDEA AND EXECUTION - AUTONOMY AND HETERONOMY OF MUSIC * BRAHMS AND PROGRAM MUSIC 67 THE PRINCIPLE OF HOPE BRAHMS S VIEWS OF PSYCHIC HEALTH - PLEA FOR MODERATION IN LIFE AND ART - EXPRESSION AS AN AESTHETIC CATEGORY - RICHARD WAGNER, FRANZ LISZT AND ANTON BRUCKNER AS EXPRESSIVE MUSICIANS - BRAHMS S, HANSLICK S AND FEUERBACH S DISLIKE OF EXAGGERATION - HOPE AS ELIXIR OF LIFE - MINOR AND MAJOR IN BRAHMS S COMPOSITIONAL WORK - DRAMATURGY IN THE ALTO RHAPSODY, TH POETIC ELEMENTS IN THE PIANO MUSIC SCHUMANN S IDEAL OF POETIC MUSIC * BRAHMS S DEDICATION TO POETIC CREATION - POETIC ELEMENTS IN THE PIANO SONATAS OP. 1, OP. 2 AND OP. 5 - THE BALLAD IN D MINOR OP. 10, NO. 1 AND THE LIED VERRAT ( BETRAYAL ) OP. 105, NO 5 - THE INTERMEZZO IN E-FLAT MAJOR OP. 116, NO. 4 AS A NOCTURNE - THE INTERMEZZO IN E-FLAT MAJOR OP. 117, NO. 1 AS A LULLABY - THE ROMANCE IN F MAJOR OP. 118, NO. 5 - THE INTERMEZZO IN E-FLAT MINOR OP. 11 8, NO.L AS A DIES IRAE PARAPHRASE - THE INTERMEZZO IN B MINOR OP. 119, NO. 1 AS AN INVENTION ON THE DISSONANCE - OP. 116 AND OP. 117 AS MONOLOGUES 1 12 VIOLIN SONATAS FROM SONGS. SECRET DEDICATIONS TO CLARA SCHUMANN AND HERMINE SPIES SEMANTICIZING OF INSTRUMENTAL MUSIC THROUGH QUOTATIONS FROM AND ECHOES OF SONGS - THE COMPOSITIONS REGENLIED ( RAIN SONG ) AND NACHKLANG ( REVERBERATION ) OP. 59, NOS. 3 AND 4, AND THE SONATA IN G MAJOR OP. 78 - BIOGRAPHICAL BACKGROUND: ILLNESS OF FELIX SCHUMANN - THE RECEPTION OF THE RAI ANSELM FEUERBACH - BRAHMS S RELATION TO FEUERBACH AND HIS INTEREST IN FEUERBACH S PAINTINGS - FEUERBACH S ARTISTIC CREED, HIS AFFINITY WITH CLASSICAL ANTIQUITY, COMBINED WITH THE DESIRE TO CREATE NEW THINGS - THE SETTINGS BY HERMANN GOETZ AND BRAHMS COMPARED - THE DEDICATION TO HENRIETTE FEUERBACH AS BRAHMS S PERSONAL COMMENTARY ON SCHILLER S POEM 167 FOUR SERIOUS SONGS GENESIS - THOUGHTS ON THE PROBLEM OF DEATH - CYCLICAL CONSTRUCTION: TRANSITION FROM THE PESSIMISM OF THE FIRST THREE SONGS TO THE CREDO OF THE REDEEMING POWER OF LOVE IN THE LAST - THE COMPOSITION SHAPED BY THE TEXTS DOMINANT IDEAS AND IMAGES - THE SKETCH SHEET - BRAHMS S INTERPRETATION OF THE PAULINE SERMON ON LOVE 180 BRAHMS AND THE VIENNA PHILHARMONIC ORCHESTRA THE SOUND CULTURE OF THE VIENNA PHILHARMONIC ORCHESTRA AS A STIMULATING TONAL IDEAL - HISTORY OF THE ORCHESTRA - ITS CONSERVATISM - PERFORMANCES OF THE SERENADES, THE HAYDN VARIATIONS, AS WELL AS THE SYMPHONIES IN VIENNA - BASIS OF BRAHMS S SUCCESS IN VIENNA 186 HANSLICK S IMAGE OF BRAHMS HANSLICK NO UNCRITICAL ADMIRER OF BRAHMS - HIS MUSICO-AESTHETIC SYSTEM AND HIS JUDGMENT OF BRAHMS - BRAHMS WORKS THAT APPEALED TO HIM AND THOSE HE VIEWED SCEPTICALLY - HANSLICK ADMIRED BRAHMS S MUSICAL LOGIC BUT CHARGED HIM WITH LACK OF SENSUOUSNESS AND MELODIC INVENTIVENES ( THE HOARFROST HUNG ) OP. 106, NO. 3, THE INTERMEZZO IN E MAJOR OP. 116, NO. 6 AND FOUR SERIOUS SONGS OP. 121, NO. 2 208 WHY BRAHMS IS SO UNIVERSALLY BELOVED BRAHMS S OWN ASSESSMENT OF HIS POSITION IN MUSIC HISTORY - FAME AND RISE IN SOCIETY - THE MOST GERMAN COMPOSER - BREADTH OF HIS MUSIC S INTERNATIONAL IMPACT - INFLUENCE OF VIENNA - PREDILECTION FOR THE GENRE OF THE FOLK SONG - POPULAR MODES AND HIGH ART - THE VANITAS THEME IN THE GERMAN REQUIEM AND IN THE FOUR SERIOUS SONGS - FRIEDRICH NIETZSCHE ON BRAHMS *ADOLF SCHUBRING S REVIEW OF THE GERMAN REQUIEM 214 EPILOGUE 221 BIOGRAPHICAL DATES 223 PERSONS IN BRAHMS S CIRCLE OF FRIENDS AND ACQUAINTANCES 226 SELECTIVE BIBLIOGRAPHY 230 INDEX OF NAMES 243 INDEX OF WORKS 248 NOTES 251 IX
any_adam_object	1
author	Floros, Constantin 1930-
author_GND	(DE-588)118994425
author_facet	Floros, Constantin 1930-
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dewey-full	780.92
dewey-hundreds	700 - The arts
dewey-ones	780 - Music
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dewey-search	780.92
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discipline	Musikwissenschaft
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geographic	Deutschland
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id	DE-604.BV036761427
illustrated	Illustrated
indexdate	2024-12-20T14:41:30Z
institution	BVB
isbn	9783631612606
language	English German
lccn	2010022953
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physical	X, 291 S. Ill., Notenbeisp.
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publisher	Lang
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spellingShingle	Floros, Constantin 1930- Johannes Brahms, "free but alone" a life for a poetic music Brahms, Johannes 1833-1897 Brahms, Johannes 1833-1897 (DE-588)118514253 gnd Composers Germany Biography
subject_GND	(DE-588)118514253 (DE-588)4006804-3
title	Johannes Brahms, "free but alone" a life for a poetic music
title_alt	Johannes Brahms, "frei aber einsam"
title_auth	Johannes Brahms, "free but alone" a life for a poetic music
title_exact_search	Johannes Brahms, "free but alone" a life for a poetic music
title_full	Johannes Brahms, "free but alone" a life for a poetic music Constantin Floros ; translated by Ernest Bernhardt-Kabisch
title_fullStr	Johannes Brahms, "free but alone" a life for a poetic music Constantin Floros ; translated by Ernest Bernhardt-Kabisch
title_full_unstemmed	Johannes Brahms, "free but alone" a life for a poetic music Constantin Floros ; translated by Ernest Bernhardt-Kabisch
title_short	Johannes Brahms, "free but alone"
title_sort	johannes brahms free but alone a life for a poetic music
title_sub	a life for a poetic music
topic	Brahms, Johannes 1833-1897 Brahms, Johannes 1833-1897 (DE-588)118514253 gnd Composers Germany Biography
topic_facet	Brahms, Johannes 1833-1897 Composers Germany Biography Deutschland Biografie
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020678454&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
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