Saved in:
| Title: | Malevich - painting the absolute |
|---|---|
| Subdivision: | 2 |
| From: |
Andréi Nakov
|
| Person: |
Nakov, Andrej B.
1941-2022 Verfasser aut Malevič, Kazimir 1879-1935 |
| Main Author: | |
| Other Authors: | |
| Format: | Book |
| Language: | English |
| Published: |
Farnham [u.a.]
Lund Humphries
2010
|
| Online Access: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=023962051&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Physical Description: | 431 S. zahlr. Ill. 1 Verlagsbrochüre |
Staff View
MARC
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Record in the Search Index
| DE-BY-UBR_call_number | 74/LI 55870 N163 M2-2 |
|---|---|
| DE-BY-UBR_katkey | 5534265 |
| DE-BY-UBR_location | UB Lesesaal Philosophicum 2: Kunstgeschichte |
| DE-BY-UBR_media_number | 069038754589 |
| _version_ | 1835104335045853184 |
| adam_text |
MALEVICH
. . .
NÁKOV
Concerning the orientation of Malewicz's
Suprematist
works
The dawn of Suprematism: the transition to
"purely painterly" works of art
•
The plane in the shape of a square: black as a secret
•
The painterly plane, a "new material body" giving rise to the
"dynamic growth of forms"
•
Scaled-down means leading to a new intensity of form
•
Constructing the "philosophical color system
. . ."
jJt
cl
ι Ια
Ubi
1
í I
The square, a "gateway to revelation"
•
"Mystery is the creation of the symbol"
•
"Scnsorium Dei"
•
Throwing off the "nets of the horizon"
•
"Attaining the
/ero
of form"
•
"Appearing under a new banner
. . ."
The
0,10
exhibition: escaping from
the "circle of things"
•
"I am the apostle of the new ideas in art
. "
•
"The gods have died and will not rise again
.
but their legacy
weighs heavily"
•
The first clash with the aesthetic of the raw material
•
A forehead marked zero
С
Γ
г—У/
1¡ ^
_1
j L
^ ^^j
ііз
h
ţ^
u
І! ¡і
10
17
24
35
46
50
68
78
86
101
106
116
130
133
139
141
lö
"Forms must be given life
."
«
"Each form is a world"
•
The transition from1
intuitive impuise
to conscious construction
«
The impassioned stage of "universal attraction"
buDrsrnatisr
17"
Studyi ng
eva nescent
forces
"
•
"Musical sound acts directly on the soul
. . ."
•
From the musical metaphor to the "specific means" of painting
•
"Superior impulses: the vast scale of the elements
. . ."
•
On the futility of mathematical exorcism
•
The "eternal feminine" as a prelude to the world of colorlessness
•
"The ferment of light waves"
lo Suprematism's
impossible conquest of Moscow
•
The Knave of Diamonds show and the public rejection
of Suprematism in Moscow
•
Breaking free from the "circle of the blue sky"
•
In the Supremus laboratory
•
"To free painting from the arbitrariness of taste
. ."
144
153
159
162
176
182
192
199
209
212
216
222
231
238
241
247
Contents
of volume
2
Cl
¡n
Γ Ω
І7ТЧ
Tl"
1
С ПИ
I
\
/
jdu!
tl
1 äa
Libí
í j i V
IQ
"A philosophical color system"
•
"Color-forrn"
•
"Fornis
move, they are born
. . ."
•
"At the present time man's path lies through space
. . ."
•
"The white, free chasm, infinity is before us."
•
Breaking through "the encircling horizon"
Suprematisrn V
20
"The doctrine of the barren space"
•
"Entering the construction as an individual of
a collettive
system
.
•
An aesthetic of splendor
•
White Square: returning to the origin of Suprematisrn
and definitively transcending the problem of form
•
An alchemical transmutation
•
"Observe each speck lurking in my white canvas
. ."
•
A requiem for form
Шї
atism Vî
Suprematisrn
vii
256 22
"Cruciform figures,
258
the crux of non-objective painting after
1919
264 ·
"The new civilisation of signs in the culture of a transitional world"
276 ·
"The plurality of meanings contained in every symbol
. . ."
278 ·
Institutionalizing the sign of the cross
284 ·
A return to an inquiry into symbols
•
Postscript
The barometer of incomprehension
Suprematisrn, a revolutionary art based on "severity" and "concision"
21
"Prometheus assailed, or the difficulty of "bestowing
spiritual gifts on one's contemporaries"
340
•
A fortune too critical
346
304
•
Suprematisrn, a
317
3Ί8
index
List of illustrations
323
index of names
326
333
338
352
357
366
331
392
399
400
405
412 |
| any_adam_object | 1 |
| author | Nakov, Andrej B. 1941-2022 |
| author2 | Malevič, Kazimir 1879-1935 |
| author2_role | ill |
| author2_variant | k m km |
| author_GND | (DE-588)1073523624 (DE-588)118640836 |
| author_facet | Nakov, Andrej B. 1941-2022 Malevič, Kazimir 1879-1935 |
| author_role | aut |
| author_sort | Nakov, Andrej B. 1941-2022 |
| author_variant | a b n ab abn |
| building | Verbundindex |
| bvnumber | BV038785154 |
| ctrlnum | (OCoLC)711801629 (DE-599)BVBBV038785154 |
| format | Book |
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| id | DE-604.BV038785154 |
| illustrated | Illustrated |
| indexdate | 2025-03-17T09:00:46Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-023962051 |
| oclc_num | 711801629 |
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| owner_facet | DE-Y3 DE-11 DE-12 DE-19 DE-BY-UBM DE-355 DE-BY-UBR |
| physical | 431 S. zahlr. Ill. 1 Verlagsbrochüre |
| publishDate | 2010 |
| publishDateSearch | 2010 |
| publishDateSort | 2010 |
| publisher | Lund Humphries |
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| spellingShingle | Nakov, Andrej B. 1941-2022 Malevich - painting the absolute |
| title | Malevich - painting the absolute |
| title_auth | Malevich - painting the absolute |
| title_exact_search | Malevich - painting the absolute |
| title_full | Malevich - painting the absolute 2 Andréi Nakov |
| title_fullStr | Malevich - painting the absolute 2 Andréi Nakov |
| title_full_unstemmed | Malevich - painting the absolute 2 Andréi Nakov |
| title_short | Malevich - painting the absolute |
| title_sort | malevich painting the absolute |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=023962051&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV036890670 |
| work_keys_str_mv | AT nakovandrejb malevichpaintingtheabsolute2 AT malevickazimir malevichpaintingtheabsolute2 |
Table of contents
UL Reading Room Philosophicum 2: Art History
Note the shelfmark and use on site or borrow for two weeks| Call Number: | 74 LI 55870 N163 M2-2 |
|---|---|
| Copy 1 | circulating On Shelf |