Holdings: Word order and expressiveness in the "Aeneid"

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Bibliographic Details
Title:	Word order and expressiveness in the "Aeneid"
From:	Paolo Dainotti ; translated from Italian by Ailsa Campbell
Person:	Dainotti, Paolo Verfasser aut Campbell, Ailsa
Main Author:	Dainotti, Paolo (Author)
Other Authors:	Campbell, Ailsa (Translator)
Format:	Thesis Book
Language:	English Latin
Published:	Berlin ; Boston De Gruyter [2015]
Series:	Untersuchungen zur antiken Literatur und Geschichte Band 121
Notation:	FX 178105
Subjects:	Vergilius Maro, Publius > v70-v19 > Aeneis Wortstellung Expressivität > Linguistik Sprachstil Hochschulschrift
Online Access:	http://deposit.dnb.de/cgi-bin/dokserv?id=4758502&prov=M&dok_var=1&dok_ext=htm http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027521529&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
Physical Description:	xi, 294 Seiten
ISBN:	9783110384222 3110384221

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Record in the Search Index

DE-BY-UBR_call_number	63/FX 178105 D133
DE-BY-UBR_katkey	5699099
DE-BY-UBR_location	UB Lesesaal Philosophicum 1: Klassische Philologie
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adam_text	Table of Contents Preamble-----1 Introduction-----3 Expressiveness, iconicity and literary tradition-3 A) Expressiveness-----3 B) Iconicity----7 B) I Typologies of iconicity----8 B) la Images-----8 B) lal Acoustic images----8 B) I a 2 Visual images----10 B) lb Diagrams-------10 B) I b 1 Acoustic level---10 B) I b 2 Visual level---13 B) I b 3 Structural level-14 C) Criteria for a stylistic analysis-17 Chapter 1 Poetry and verse-----19 A) Poetry, verse and enjambement in ancient and modern theory----19 B) Enjambement in the Aeneid-----26 B) I Interlinear juxtaposition: Virgil’s primary device.-27 B) I a Stylistic effects of interlinear juxtaposition: adjective-noun--------31 B) I b Stylistic effects of interlinear juxtaposition: noun-adjective----47 B) II Rejet----58 B) II a Stylistics effects of the rejet of a verb-59 B) llal Falling------63 B) II a 2 Throwing-------70 B) II a 3 Blows, thrusts and violent actions--76 B) II a 4 Momentary actions-----90 B) lib Rejet of noun-----96 B) II b 1 Patronymics, proper names, ethnological names----97 B) lib 2 Rejet and syntactical expansion------100 B) lie Rejet of an adjective---106 B) II cl Expressiveness of the rejet of an adjective-106 X ----- Table of Contents B) lid Mimetic expressiveness of the rejet in direct speech: exhortations, exclamations, demands, orations, conclusions---------113 B) II dl Imperatives in rejet---113 B) II d 2 Rejet at the close of direct speech--116 B) II d 3 Rejet and interrogative sentences----118 B) II d 4 Vocatives---121 B) II d 5 Rejet and emphasis-123 B) III Stylistic effects of the apres-rejet-130 B) Ilia Consequence-------131 B) III a 1 Cause and effect--131 B) III a 2 Action and reaction--136 B) Illa3 Reactions to signals or commands------137 B) III a 4 Psychological reactions----139 B) III b Apres-rejet of opposition--142 B) III c Immediacy of the action, excitement---144 B) III cl Subitus, ocius, mox-145 B) III c 2 Verbal forms----146 B) Hid Explanatory apres-rejet------147 B) III e Epic closures and sententiae---149 Chapter 2 Poetry and rhythm: on metrical expressiveness----152 A) Stylistic effects of synaloepha-152 A) I Synaloepha and iconic word order-------153 A) la To hide, to hug-----153 A) lb Fusion or conflict----155 A) II Synaloepha and rhythm-----156 A) II a Rapidity, urgency, commotion----157 A) lib Violence-----163 A) lie Effort----164 A) lid Gasping and pathetic synaloepha------166 A) III Synaloepha at the point of a syntactical pause-175 B) Synaloepha and hypermetric lines-----178 B) I Hypermetre in lists---179 B) II Hypermetre and an effect of suspense----181 B) III Rapidity, agitation, anger--182 B) IV Hypermetre and direct speech-----183 C) Writing verses in a Greek style: hiatus, spondaic lines, irrational lengthening, four-syllable line-ends-184 C) I Hiatus----184 Table of Contents ---- C) la Hiatus and the literary tradition--185 C) lb Hiatus and expressiveness-----188 C) I b 2 Hiatus and enantiometria----190 C) II Polysyllables and Graecising line-ends-----192 C) III Inovöeia^ovxe«;---196 D) Stylistic effects of the disposition of caesurae---198 D) la Lines with a dearth of masculine caesurae-------200 D) lb Masculine caesurae and spondaic rhythm---------204 E) Stylistic effects of a monosyllable at line-end----206 Chapter 3 Word order and meaning-------217 A) Marked order------217 B) Key positions: beginning and end of line; unimportant words at line-end-----218 C) Significant juxtapositions---225 C) I Polyptoton: conflict, proximity, similarity-226 C) II Juxtaposition: conflict, hostility, love, filial relationships-227 C) III Juxtaposition of adjectives of significant affinity-232 C) IV Oxymoron by position; unus-omnes;contrasting colour terms----233 C) V Juxtaposition of personal and possessive pronouns-----237 D) Hyperbaton, between the literary tradition, expressiveness and iconicity----239 D) I Hyperbaton in single lines: ‘golden lines’ and hyperbaton framing the verse----239 D) II Hyperbaton in single lines and iconicity---242 D) II a Linear hyperbaton----243 D) II b Framing hyperbaton and icons of closure, cover, containment, and crossing--------245 D) II c Interlocking hyperbaton and the icon of mixture--248 D) III Expressiveness and iconicity of hyperbaton in enjambement----------249 D) Ilia Interlinear hyperbaton---256 Bibliography-----264 Editions and commentaries------264 Studies------266 Index Locorum-----274 Index Rerum-----281
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author	Dainotti, Paolo
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ctrlnum	(gbd)1071467 (OCoLC)933196571 (DE-599)DNB1056010622
discipline	Philologie / Byzantinistik / Neulatein
format	Thesis Book
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title	Word order and expressiveness in the "Aeneid"
title_auth	Word order and expressiveness in the "Aeneid"
title_exact_search	Word order and expressiveness in the "Aeneid"
title_full	Word order and expressiveness in the "Aeneid" Paolo Dainotti ; translated from Italian by Ailsa Campbell
title_fullStr	Word order and expressiveness in the "Aeneid" Paolo Dainotti ; translated from Italian by Ailsa Campbell
title_full_unstemmed	Word order and expressiveness in the "Aeneid" Paolo Dainotti ; translated from Italian by Ailsa Campbell
title_short	Word order and expressiveness in the "Aeneid"
title_sort	word order and expressiveness in the aeneid
topic	Vergilius Maro, Publius v70-v19 Aeneis (DE-588)4099391-7 gnd Wortstellung (DE-588)4135250-6 gnd Expressivität Linguistik (DE-588)4293329-8 gnd Sprachstil (DE-588)4132483-3 gnd
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