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Titel:Cinematic Appeals
The Experience of New Movie Technologies
Von: Ariel Rogers
Person: Rogers, Ariel
Verfasser
aut
Hauptverfasser: Rogers, Ariel (VerfasserIn)
Format: Elektronisch E-Book
Sprache:Englisch
Veröffentlicht: New York, NY Columbia University Press [2013]
Schriftenreihe:Film and Culture Series
Schlagwörter:
Medienzugang:http://www.degruyter.com/doi/book/10.7312/roge15916
http://www.degruyter.com/doi/book/10.7312/roge15916
http://www.degruyter.com/doi/book/10.7312/roge15916
http://www.degruyter.com/doi/book/10.7312/roge15916
http://www.degruyter.com/doi/book/10.7312/roge15916
http://www.degruyter.com/doi/book/10.7312/roge15916
http://www.degruyter.com/doi/book/10.7312/roge15916
http://www.degruyter.com/doi/book/10.7312/roge15916
Zusammenfassung:Cinematic Appeals follows the effect of technological innovation on the cinema experience, specifically the introduction of widescreen and stereoscopic 3D systems in the 1950s, the rise of digital cinema in the 1990s, and the transition to digital 3D since 2005. Widescreen cinema promised to draw the viewer into the world of the screen, enabling larger-than-life close-ups of already larger-than-life actors. This technology fostered the illusion of physically entering a film, enhancing the semblance of realism. Alternatively, the digital era was less concerned with the viewer's physical response and more with information flow, awe, and the reevaluation of spatiality and embodiment. This study ultimately shows how cinematic technology and the human experience shape and respond to each other over time
Beschreibung:Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016)
Umfang:1 online resource ‹B›Figures: ‹/B›68
ISBN:9780231535786