Gespeichert in:
| Titel: | Program music |
|---|---|
| Von: |
Jonathan Kregor
|
| Person: |
Kregor, Jonathan
1978- Verfasser aut |
| Hauptverfasser: | |
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2015
|
| Schriftenreihe: | Cambridge introductions to music
|
| Notation: | LR 54320 |
| Schlagwörter: | |
| Medienzugang: | https://doi.org/10.1017/CBO9781139506397 https://doi.org/10.1017/CBO9781139506397 https://doi.org/10.1017/CBO9781139506397 https://doi.org/10.1017/CBO9781139506397 |
| Zusammenfassung: | Program music was one of the most flexible and contentious novelties of the long nineteenth century, covering a diverse range that included the overtures of Beethoven and Mendelssohn, the literary music of Berlioz and Schumann, Liszt's symphonic poems, the tone poems of Strauss and Sibelius, and compositions by groups of composers in Russia, Bohemia, the United States, and France. In this accessible Introduction, Jonathan Kregor explores program music's ideas and repertoire, discussing both well-known and less familiar pieces by an array of nineteenth- and twentieth-century composers. Setting program music in the context of the intellectual debates of the period, Kregor presents the criticism of writers like A. B. Marx and Hanslick to reveal program music's growth, dissemination, and reception. This comprehensive overview features numerous illustrations and music examples and provides detailed case studies of battle music, Shakespeare settings, and Goethe's Faust |
| Umfang: | 1 Online-Ressource (xvii, 322 Seiten) |
| ISBN: | 9781139506397 |
| DOI: | 10.1017/CBO9781139506397 |
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| 520 | |a Program music was one of the most flexible and contentious novelties of the long nineteenth century, covering a diverse range that included the overtures of Beethoven and Mendelssohn, the literary music of Berlioz and Schumann, Liszt's symphonic poems, the tone poems of Strauss and Sibelius, and compositions by groups of composers in Russia, Bohemia, the United States, and France. In this accessible Introduction, Jonathan Kregor explores program music's ideas and repertoire, discussing both well-known and less familiar pieces by an array of nineteenth- and twentieth-century composers. Setting program music in the context of the intellectual debates of the period, Kregor presents the criticism of writers like A. B. Marx and Hanslick to reveal program music's growth, dissemination, and reception. This comprehensive overview features numerous illustrations and music examples and provides detailed case studies of battle music, Shakespeare settings, and Goethe's Faust | ||
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| author | Kregor, Jonathan 1978- |
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| author_role | aut |
| author_sort | Kregor, Jonathan 1978- |
| author_variant | j k jk |
| building | Verbundindex |
| bvnumber | BV043917924 |
| classification_rvk | LR 54320 |
| collection | ZDB-20-CBO |
| contents | Characters, topics, and the programmatic battlefield -- Expression, musical painting, and the concert overture -- Berlioz and Schumann on music and literature -- Liszt and the symphonic poem -- The New German School and Beyond -- Excursus : Faust --Programmatic paths around the fin-de-siecle : Mahler and Strauss -- Programming the nation -- "Ars Gallica." |
| ctrlnum | (ZDB-20-CBO)CR9781139506397 (OCoLC)949923505 (DE-599)BVBBV043917924 |
| dewey-full | 781.5/6 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.5/6 |
| dewey-search | 781.5/6 |
| dewey-sort | 3781.5 16 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1017/CBO9781139506397 |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Electronic eBook |
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| id | DE-604.BV043917924 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-20T17:48:32Z |
| institution | BVB |
| isbn | 9781139506397 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029327007 |
| oclc_num | 949923505 |
| open_access_boolean | |
| owner | DE-12 DE-473 DE-BY-UBG DE-355 DE-BY-UBR |
| owner_facet | DE-12 DE-473 DE-BY-UBG DE-355 DE-BY-UBR |
| physical | 1 Online-Ressource (xvii, 322 Seiten) |
| psigel | ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO ZDB-20-CBO UBG_PDA_CBO ZDB-20-CBO UBR Sammelbestellung 2021 |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | Cambridge University Press |
| record_format | marc |
| series2 | Cambridge introductions to music |
| spellingShingle | Kregor, Jonathan 1978- Program music Characters, topics, and the programmatic battlefield -- Expression, musical painting, and the concert overture -- Berlioz and Schumann on music and literature -- Liszt and the symphonic poem -- The New German School and Beyond -- Excursus : Faust --Programmatic paths around the fin-de-siecle : Mahler and Strauss -- Programming the nation -- "Ars Gallica." Program music Programmmusik (DE-588)4140180-3 gnd |
| subject_GND | (DE-588)4140180-3 |
| title | Program music |
| title_auth | Program music |
| title_exact_search | Program music |
| title_full | Program music Jonathan Kregor |
| title_fullStr | Program music Jonathan Kregor |
| title_full_unstemmed | Program music Jonathan Kregor |
| title_short | Program music |
| title_sort | program music |
| topic | Program music Programmmusik (DE-588)4140180-3 gnd |
| topic_facet | Program music Programmmusik |
| url | https://doi.org/10.1017/CBO9781139506397 |
| work_keys_str_mv | AT kregorjonathan programmusic |