Saved in:
| Title: | A closer look pictorial space |
|---|---|
| From: |
Nicholas Penny
|
| Person: |
Penny, Nicholas
1949- Verfasser aut |
| Main Author: | |
| Format: | Book |
| Language: | English |
| Published: |
London
National Gallery Company
[2017]
|
| Subjects: | |
| Abstract: | For more than six centuries, European painters have been ambitious to depict objects as if they possessed volume, placing them in a space that seems equivalent to the real space of our world. This "fiction" was central to the artist's purpose. Through a close examination of paintings from the 1400s to the early 20th century, including works by Uccello, Vermeer, Titian, and Monet, Nicholas Penny explains in this latest title in the National Gallery's Closer Look series how artists sought to make the fiction of pictorial space compelling, not only through the use of linear or aerial perspective, but also through the choice and intensity of color, the variations in light, and the texture of the painted surface |
| Physical Description: | 96 Seiten Illustrationen |
| ISBN: | 9781857096163 |
Staff View
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV044426415 | ||
| 003 | DE-604 | ||
| 005 | 20170822 | ||
| 007 | t| | ||
| 008 | 170726s2017 xx a||| |||| 00||| eng d | ||
| 020 | |a 9781857096163 |9 9781857096163 | ||
| 035 | |a (OCoLC)1002280321 | ||
| 035 | |a (DE-599)BVBBV044426415 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-Y3 |a DE-12 |a DE-Y2 | ||
| 100 | 1 | |a Penny, Nicholas |d 1949- |e Verfasser |0 (DE-588)172304520 |4 aut | |
| 245 | 1 | 0 | |a A closer look |b pictorial space |c Nicholas Penny |
| 264 | 1 | |a London |b National Gallery Company |c [2017] | |
| 264 | 4 | |c © 2017 | |
| 300 | |a 96 Seiten |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 520 | 3 | |a For more than six centuries, European painters have been ambitious to depict objects as if they possessed volume, placing them in a space that seems equivalent to the real space of our world. This "fiction" was central to the artist's purpose. Through a close examination of paintings from the 1400s to the early 20th century, including works by Uccello, Vermeer, Titian, and Monet, Nicholas Penny explains in this latest title in the National Gallery's Closer Look series how artists sought to make the fiction of pictorial space compelling, not only through the use of linear or aerial perspective, but also through the choice and intensity of color, the variations in light, and the texture of the painted surface | |
| 610 | 2 | 7 | |a The National Gallery |g London |0 (DE-588)1003322-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Raumdarstellung |0 (DE-588)4177053-5 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Malerei |0 (DE-588)4037220-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Perspektive |0 (DE-588)4045301-7 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a The National Gallery |g London |0 (DE-588)1003322-1 |D b |
| 689 | 0 | 1 | |a Malerei |0 (DE-588)4037220-0 |D s |
| 689 | 0 | 2 | |a Perspektive |0 (DE-588)4045301-7 |D s |
| 689 | 0 | 3 | |a Raumdarstellung |0 (DE-588)4177053-5 |D s |
| 689 | 0 | |5 DE-604 | |
| 710 | 2 | |a The National Gallery (London) |0 (DE-588)1003322-1 |4 isb | |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-029827899 | |
Record in the Search Index
| _version_ | 1820963609584336896 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Penny, Nicholas 1949- |
| author_GND | (DE-588)172304520 |
| author_facet | Penny, Nicholas 1949- |
| author_role | aut |
| author_sort | Penny, Nicholas 1949- |
| author_variant | n p np |
| building | Verbundindex |
| bvnumber | BV044426415 |
| ctrlnum | (OCoLC)1002280321 (DE-599)BVBBV044426415 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV044426415</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20170822</controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">170726s2017 xx a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781857096163</subfield><subfield code="9">9781857096163</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1002280321</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV044426415</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-Y3</subfield><subfield code="a">DE-12</subfield><subfield code="a">DE-Y2</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Penny, Nicholas</subfield><subfield code="d">1949-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)172304520</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">A closer look</subfield><subfield code="b">pictorial space</subfield><subfield code="c">Nicholas Penny</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London</subfield><subfield code="b">National Gallery Company</subfield><subfield code="c">[2017]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2017</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">96 Seiten</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">For more than six centuries, European painters have been ambitious to depict objects as if they possessed volume, placing them in a space that seems equivalent to the real space of our world. This "fiction" was central to the artist's purpose. Through a close examination of paintings from the 1400s to the early 20th century, including works by Uccello, Vermeer, Titian, and Monet, Nicholas Penny explains in this latest title in the National Gallery's Closer Look series how artists sought to make the fiction of pictorial space compelling, not only through the use of linear or aerial perspective, but also through the choice and intensity of color, the variations in light, and the texture of the painted surface</subfield></datafield><datafield tag="610" ind1="2" ind2="7"><subfield code="a">The National Gallery</subfield><subfield code="g">London</subfield><subfield code="0">(DE-588)1003322-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Raumdarstellung</subfield><subfield code="0">(DE-588)4177053-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Malerei</subfield><subfield code="0">(DE-588)4037220-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Perspektive</subfield><subfield code="0">(DE-588)4045301-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">The National Gallery</subfield><subfield code="g">London</subfield><subfield code="0">(DE-588)1003322-1</subfield><subfield code="D">b</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Malerei</subfield><subfield code="0">(DE-588)4037220-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Perspektive</subfield><subfield code="0">(DE-588)4045301-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Raumdarstellung</subfield><subfield code="0">(DE-588)4177053-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="710" ind1="2" ind2=" "><subfield code="a">The National Gallery (London)</subfield><subfield code="0">(DE-588)1003322-1</subfield><subfield code="4">isb</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029827899</subfield></datafield></record></collection> |
| id | DE-604.BV044426415 |
| illustrated | Illustrated |
| indexdate | 2025-01-11T14:37:04Z |
| institution | BVB |
| institution_GND | (DE-588)1003322-1 |
| isbn | 9781857096163 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029827899 |
| oclc_num | 1002280321 |
| open_access_boolean | |
| owner | DE-Y3 DE-12 DE-Y2 |
| owner_facet | DE-Y3 DE-12 DE-Y2 |
| physical | 96 Seiten Illustrationen |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | National Gallery Company |
| record_format | marc |
| spelling | Penny, Nicholas 1949- Verfasser (DE-588)172304520 aut A closer look pictorial space Nicholas Penny London National Gallery Company [2017] © 2017 96 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier For more than six centuries, European painters have been ambitious to depict objects as if they possessed volume, placing them in a space that seems equivalent to the real space of our world. This "fiction" was central to the artist's purpose. Through a close examination of paintings from the 1400s to the early 20th century, including works by Uccello, Vermeer, Titian, and Monet, Nicholas Penny explains in this latest title in the National Gallery's Closer Look series how artists sought to make the fiction of pictorial space compelling, not only through the use of linear or aerial perspective, but also through the choice and intensity of color, the variations in light, and the texture of the painted surface The National Gallery London (DE-588)1003322-1 gnd rswk-swf Raumdarstellung (DE-588)4177053-5 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf Perspektive (DE-588)4045301-7 gnd rswk-swf The National Gallery London (DE-588)1003322-1 b Malerei (DE-588)4037220-0 s Perspektive (DE-588)4045301-7 s Raumdarstellung (DE-588)4177053-5 s DE-604 The National Gallery (London) (DE-588)1003322-1 isb |
| spellingShingle | Penny, Nicholas 1949- A closer look pictorial space The National Gallery London (DE-588)1003322-1 gnd Raumdarstellung (DE-588)4177053-5 gnd Malerei (DE-588)4037220-0 gnd Perspektive (DE-588)4045301-7 gnd |
| subject_GND | (DE-588)1003322-1 (DE-588)4177053-5 (DE-588)4037220-0 (DE-588)4045301-7 |
| title | A closer look pictorial space |
| title_auth | A closer look pictorial space |
| title_exact_search | A closer look pictorial space |
| title_full | A closer look pictorial space Nicholas Penny |
| title_fullStr | A closer look pictorial space Nicholas Penny |
| title_full_unstemmed | A closer look pictorial space Nicholas Penny |
| title_short | A closer look |
| title_sort | a closer look pictorial space |
| title_sub | pictorial space |
| topic | The National Gallery London (DE-588)1003322-1 gnd Raumdarstellung (DE-588)4177053-5 gnd Malerei (DE-588)4037220-0 gnd Perspektive (DE-588)4045301-7 gnd |
| topic_facet | The National Gallery London Raumdarstellung Malerei Perspektive |
| work_keys_str_mv | AT pennynicholas acloserlookpictorialspace AT thenationalgallerylondon acloserlookpictorialspace |