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| Title: | Ingmar Bergman at the crossroads between theory and practice |
|---|---|
| From: |
edited by Maaret Koskinen & Louise Wallenberg
|
| Person: |
Koskinen, Maaret
Wallenberg, Louise 1951- 1970- |
| Other Authors: | , |
| Format: | Electronic eBook |
| Language: | English |
| Published: |
London ; New York
Bloomsbury Academic
2022
|
| Subjects: | |
| Online Access: | https://doi.org/10.5040/9781501389603?locatt=label:secondary_bloomsburyCollections https://doi.org/10.5040/9781501389603?locatt=label:secondary_bloomsburyCollection https://doi.org/10.5040/9781501389603?locatt=label:secondary_bloomsburyCollection https://doi.org/10.5040/9781501389603?locatt=label:secondary_bloomsburyCollections |
| Abstract: | "Ingmar Bergman’s rich legacy as film director and writer of classics such as The Seventh Seal, Scenes From a Marriage, and Fanny and Alexander has attracted scholars not only in film studies but also of literature, theater, gender, philosophy, religion, sociology, musicology, and more. Less known, however, is Bergman from the perspective of production studies, including all the choices, practices, and routines involved in what goes on behind the scenes. For instance, what about Bergman’s collaborations and conflicts with film producers? What about his work with musicians at the opera, technicians in the television studio, and actors on the film set. What about Bergman and MeToo? In order to throw light on these issues, art practitioners such as film directors Ang Lee and Margarethe von Trotta, film and opera director Atom Egoyan, and film producer and screenwriter James Schamus are brought together with academics such as philosopher and film scholar Paisley Livingston, musicologist Alexis Luko, and playwright and performance studies scholar Allan Havis to discuss Bergman’s work from their unique perspectives. In addition, Ingmar Bergman at the Crossroads provides, for the first time, in-depth interviews with Bergman’s longtime collaborators Katinka Faragó and Måns Reuterswärd, who both have first-hand experience of working intimately as producers in film and television with Bergman, covering more than 5 decades. In an open exchange between individual and institutional perspectives, this book bridges the often-rigid boundaries between theoreticians and practitioners, in turn pointing Bergman studies in new directions." |
| Physical Description: | 1 Online-Ressource (xi, 248 Seiten) Illustrationen |
| ISBN: | 9781501389603 9781501389634 9781501389627 |
| DOI: | 10.5040/9781501389603 |
Staff View
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| 520 | 3 | |a "Ingmar Bergman’s rich legacy as film director and writer of classics such as The Seventh Seal, Scenes From a Marriage, and Fanny and Alexander has attracted scholars not only in film studies but also of literature, theater, gender, philosophy, religion, sociology, musicology, and more. Less known, however, is Bergman from the perspective of production studies, including all the choices, practices, and routines involved in what goes on behind the scenes. For instance, what about Bergman’s collaborations and conflicts with film producers? What about his work with musicians at the opera, technicians in the television studio, and actors on the film set. What about Bergman and MeToo? In order to throw light on these issues, art practitioners such as film directors Ang Lee and Margarethe von Trotta, film and opera director Atom Egoyan, and film producer and screenwriter James Schamus are brought together with academics such as philosopher and film scholar Paisley Livingston, musicologist Alexis Luko, and playwright and performance studies scholar Allan Havis to discuss Bergman’s work from their unique perspectives. In addition, Ingmar Bergman at the Crossroads provides, for the first time, in-depth interviews with Bergman’s longtime collaborators Katinka Faragó and Måns Reuterswärd, who both have first-hand experience of working intimately as producers in film and television with Bergman, covering more than 5 decades. In an open exchange between individual and institutional perspectives, this book bridges the often-rigid boundaries between theoreticians and practitioners, in turn pointing Bergman studies in new directions." | |
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Record in the Search Index
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Less known, however, is Bergman from the perspective of production studies, including all the choices, practices, and routines involved in what goes on behind the scenes. For instance, what about Bergman’s collaborations and conflicts with film producers? What about his work with musicians at the opera, technicians in the television studio, and actors on the film set. What about Bergman and MeToo? In order to throw light on these issues, art practitioners such as film directors Ang Lee and Margarethe von Trotta, film and opera director Atom Egoyan, and film producer and screenwriter James Schamus are brought together with academics such as philosopher and film scholar Paisley Livingston, musicologist Alexis Luko, and playwright and performance studies scholar Allan Havis to discuss Bergman’s work from their unique perspectives. 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| id | DE-604.BV047639849 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T19:24:51Z |
| institution | BVB |
| isbn | 9781501389603 9781501389634 9781501389627 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033024057 |
| oclc_num | 1349550534 |
| open_access_boolean | |
| owner | DE-703 DE-12 DE-355 DE-BY-UBR DE-11 |
| owner_facet | DE-703 DE-12 DE-355 DE-BY-UBR DE-11 |
| physical | 1 Online-Ressource (xi, 248 Seiten) Illustrationen |
| psigel | ZDB-162-BFM ZDB-162-BFM22 ZDB-162-BFM UBR_Paketkauf 2022 ZDB-162-BFM ZDB-162-BFM22 |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Bloomsbury Academic |
| record_format | marc |
| spellingShingle | Ingmar Bergman at the crossroads between theory and practice |
| title | Ingmar Bergman at the crossroads between theory and practice |
| title_auth | Ingmar Bergman at the crossroads between theory and practice |
| title_exact_search | Ingmar Bergman at the crossroads between theory and practice |
| title_full | Ingmar Bergman at the crossroads between theory and practice edited by Maaret Koskinen & Louise Wallenberg |
| title_fullStr | Ingmar Bergman at the crossroads between theory and practice edited by Maaret Koskinen & Louise Wallenberg |
| title_full_unstemmed | Ingmar Bergman at the crossroads between theory and practice edited by Maaret Koskinen & Louise Wallenberg |
| title_short | Ingmar Bergman at the crossroads |
| title_sort | ingmar bergman at the crossroads between theory and practice |
| title_sub | between theory and practice |
| url | https://doi.org/10.5040/9781501389603?locatt=label:secondary_bloomsburyCollections |
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