Gespeichert in:
| Titel: | Migrant Form Anti-colonial Aesthetics in Joyce, Rushdie and Ray |
|---|---|
| Von: |
Gaurav Majumdar
|
| Person: |
Majumdar, Gaurav
Verfasser aut |
| Hauptverfasser: | |
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
New York
Peter Lang Inc., International Academic Publishers
2011
|
| Ausgabe: | 1st, New ed |
| Notation: | HM 3135 HN 7649 HP 1110 HQ 6999 |
| Schlagwörter: | |
| Medienzugang: | https://www.peterlang.com/view/product/27983?format=EPDF https://www.peterlang.com/view/product/27983?format=EPDF |
| Beschreibung: | Online resource; title from title screen (viewed June 10, 2019) |
| Umfang: | 1 Online-Ressource (179 Seiten) |
| ISBN: | 9781453900482 |
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| 505 | 8 | |a Migrant Form examines the works of James Joyce, Salman Rushdie, and Satyajit Ray for the anti-colonial arguments in their unsettled, and unsettling, aesthetics. Among the questions it engages are the following: What are the aesthetic moves through which art expresses its resistance to dominance and demands for conformity? How can we define anti-colonial aesthetics? How do these aesthetics manifest themselves in different media such as literature and film? Contending that Joyce inaugurates an anti-colonial «aesthetics of reconstitution», the book mines such aesthetics in Ulysses and Finnegans Wake to propose a formal model for postcolonialism. It also draws on that exercise to consider how Rushdie extends a play with reconfigured forms into an overt politics in two of his novels (Midnight's Children and The Satanic Verses). Turning its attention to film, the book contests the common view of Ray as a gentle realist and examines a formal restlessness in Ray's earlier work, Charulata (The Lonely Wife), before demonstrating how Ray stages his preference for restlessness in his final film, Agantuk (The Stranger) | |
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Datensatz im Suchindex
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|---|---|
| any_adam_object | |
| author | Majumdar, Gaurav |
| author_facet | Majumdar, Gaurav |
| author_role | aut |
| author_sort | Majumdar, Gaurav |
| author_variant | g m gm |
| building | Verbundindex |
| bvnumber | BV048207962 |
| classification_rvk | HM 3135 HN 7649 HP 1110 HQ 6999 |
| collection | ZDB-114-LAC |
| contents | Migrant Form examines the works of James Joyce, Salman Rushdie, and Satyajit Ray for the anti-colonial arguments in their unsettled, and unsettling, aesthetics. Among the questions it engages are the following: What are the aesthetic moves through which art expresses its resistance to dominance and demands for conformity? How can we define anti-colonial aesthetics? How do these aesthetics manifest themselves in different media such as literature and film? Contending that Joyce inaugurates an anti-colonial «aesthetics of reconstitution», the book mines such aesthetics in Ulysses and Finnegans Wake to propose a formal model for postcolonialism. It also draws on that exercise to consider how Rushdie extends a play with reconfigured forms into an overt politics in two of his novels (Midnight's Children and The Satanic Verses). Turning its attention to film, the book contests the common view of Ray as a gentle realist and examines a formal restlessness in Ray's earlier work, Charulata (The Lonely Wife), before demonstrating how Ray stages his preference for restlessness in his final film, Agantuk (The Stranger) |
| ctrlnum | (ZDB-114-LAC)9781453900482 (OCoLC)1317696330 (DE-599)BVBBV048207962 |
| discipline | Anglistik / Amerikanistik |
| edition | 1st, New ed |
| format | Electronic eBook |
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| id | DE-604.BV048207962 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-20T19:38:29Z |
| institution | BVB |
| isbn | 9781453900482 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033588839 |
| oclc_num | 1317696330 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 1 Online-Ressource (179 Seiten) |
| psigel | ZDB-114-LAC ZDB-114-LAC BSB_PDA_LAC_Kauf |
| publishDate | 2011 |
| publishDateSearch | 2011 |
| publishDateSort | 2011 |
| publisher | Peter Lang Inc., International Academic Publishers |
| record_format | marc |
| spelling | Majumdar, Gaurav Verfasser aut Migrant Form Anti-colonial Aesthetics in Joyce, Rushdie and Ray Gaurav Majumdar 1st, New ed New York Peter Lang Inc., International Academic Publishers 2011 ©2010 1 Online-Ressource (179 Seiten) txt rdacontent c rdamedia cr rdacarrier Online resource; title from title screen (viewed June 10, 2019) Migrant Form examines the works of James Joyce, Salman Rushdie, and Satyajit Ray for the anti-colonial arguments in their unsettled, and unsettling, aesthetics. Among the questions it engages are the following: What are the aesthetic moves through which art expresses its resistance to dominance and demands for conformity? How can we define anti-colonial aesthetics? How do these aesthetics manifest themselves in different media such as literature and film? Contending that Joyce inaugurates an anti-colonial «aesthetics of reconstitution», the book mines such aesthetics in Ulysses and Finnegans Wake to propose a formal model for postcolonialism. It also draws on that exercise to consider how Rushdie extends a play with reconfigured forms into an overt politics in two of his novels (Midnight's Children and The Satanic Verses). Turning its attention to film, the book contests the common view of Ray as a gentle realist and examines a formal restlessness in Ray's earlier work, Charulata (The Lonely Wife), before demonstrating how Ray stages his preference for restlessness in his final film, Agantuk (The Stranger) Joyce, James 1882-1941 (DE-588)118558501 gnd rswk-swf Rushdie, Salman 1947- (DE-588)118873520 gnd rswk-swf Ray, Satyajit 1921-1992 (DE-588)11926529X gnd rswk-swf Antikolonialismus Motiv (DE-588)4568726-2 gnd rswk-swf Poetik (DE-588)4046449-0 gnd rswk-swf Joyce, James 1882-1941 (DE-588)118558501 p Rushdie, Salman 1947- (DE-588)118873520 p Ray, Satyajit 1921-1992 (DE-588)11926529X p Antikolonialismus Motiv (DE-588)4568726-2 s Poetik (DE-588)4046449-0 s DE-604 Erscheint auch als Druck-Ausgabe 9781433105036 https://www.peterlang.com/view/product/27983?format=EPDF Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Majumdar, Gaurav Migrant Form Anti-colonial Aesthetics in Joyce, Rushdie and Ray Migrant Form examines the works of James Joyce, Salman Rushdie, and Satyajit Ray for the anti-colonial arguments in their unsettled, and unsettling, aesthetics. Among the questions it engages are the following: What are the aesthetic moves through which art expresses its resistance to dominance and demands for conformity? How can we define anti-colonial aesthetics? How do these aesthetics manifest themselves in different media such as literature and film? Contending that Joyce inaugurates an anti-colonial «aesthetics of reconstitution», the book mines such aesthetics in Ulysses and Finnegans Wake to propose a formal model for postcolonialism. It also draws on that exercise to consider how Rushdie extends a play with reconfigured forms into an overt politics in two of his novels (Midnight's Children and The Satanic Verses). Turning its attention to film, the book contests the common view of Ray as a gentle realist and examines a formal restlessness in Ray's earlier work, Charulata (The Lonely Wife), before demonstrating how Ray stages his preference for restlessness in his final film, Agantuk (The Stranger) Joyce, James 1882-1941 (DE-588)118558501 gnd Rushdie, Salman 1947- (DE-588)118873520 gnd Ray, Satyajit 1921-1992 (DE-588)11926529X gnd Antikolonialismus Motiv (DE-588)4568726-2 gnd Poetik (DE-588)4046449-0 gnd |
| subject_GND | (DE-588)118558501 (DE-588)118873520 (DE-588)11926529X (DE-588)4568726-2 (DE-588)4046449-0 |
| title | Migrant Form Anti-colonial Aesthetics in Joyce, Rushdie and Ray |
| title_auth | Migrant Form Anti-colonial Aesthetics in Joyce, Rushdie and Ray |
| title_exact_search | Migrant Form Anti-colonial Aesthetics in Joyce, Rushdie and Ray |
| title_full | Migrant Form Anti-colonial Aesthetics in Joyce, Rushdie and Ray Gaurav Majumdar |
| title_fullStr | Migrant Form Anti-colonial Aesthetics in Joyce, Rushdie and Ray Gaurav Majumdar |
| title_full_unstemmed | Migrant Form Anti-colonial Aesthetics in Joyce, Rushdie and Ray Gaurav Majumdar |
| title_short | Migrant Form |
| title_sort | migrant form anti colonial aesthetics in joyce rushdie and ray |
| title_sub | Anti-colonial Aesthetics in Joyce, Rushdie and Ray |
| topic | Joyce, James 1882-1941 (DE-588)118558501 gnd Rushdie, Salman 1947- (DE-588)118873520 gnd Ray, Satyajit 1921-1992 (DE-588)11926529X gnd Antikolonialismus Motiv (DE-588)4568726-2 gnd Poetik (DE-588)4046449-0 gnd |
| topic_facet | Joyce, James 1882-1941 Rushdie, Salman 1947- Ray, Satyajit 1921-1992 Antikolonialismus Motiv Poetik |
| url | https://www.peterlang.com/view/product/27983?format=EPDF |
| work_keys_str_mv | AT majumdargaurav migrantformanticolonialaestheticsinjoycerushdieandray |