Gespeichert in:
| Titel: | Handel's Tamerlano Pierre Audi (stage director), Christophe Rousset (conductor) -- With Christophe Dumaux (Tamerlano), Jeremy Ovenden (Bajazete), Sophie Karthäuser (Asteria) |
|---|---|
| Von: |
Myriam Hoyer, director
|
| Person: |
Hoyer, Myriam
Kinmonth, Patrick Richardson, Matthew Audi, Pierre Sonstige |
| Weitere beteiligte Personen: | |
| Format: | Elektronisch Video |
| Sprache: | Englisch |
| Veröffentlicht: |
[Place of publication not identified]
WAHOO PRODUCTION · MEZZO
2015
LA MONNAIE 2015 |
| Schlagwörter: | |
| Medienzugang: | http://musik.proxy.fid-lizenzen.de/fid/medici-tv/edu.medici.tv/en/operas/tamerlano-haendel-rousset-audi https://edu.medici.tv/en/operas/tamerlano-haendel-rousset-audi |
| Abstract: | Born in Germany, trained in Italy and nationalized English, the composer born Georg Friederich Händel was one of the most important, innovative, and cosmopolitan opera composers of the Baroque period (1600-1750), a true man of the theatre. In a span of just 20 days in 1724--the same year he created Giulio Cesare and Rodelinda--Handel wrote Tamerlano. With his inexhaustible melodic inventiveness, Handel knew how to evoke the complex humanity of operatic characters, alternating recitatives (a mixture of speech and song), arias (showpieces for the vocalists' prowess), and choral numbers to shape works of polished intensity--so highly prized that they spurred commercial competition between opera houses in the same city. This competitive environment, as well as the incessant public demand for new and more striking operas, inspired composers like Handel to explore avant-garde approaches (much as today's music industry does to pop stars!). In Tamerlano, Handel defied rules both written and tacit--offering a main role to a mature tenor at a time when the castrato voice dominated; and not shying away from shocking scenes that other composers approached hesitantly, like suicide. Pierre Audi's elegant, minimalist staging allows an all-star cast of singers to highlight the work's many dramatic elements, proving that Baroque opera can still move and thrill us as it did 300 years ago! |
| Umfang: | 1 Online-Ressource (1 video file (3 hr., 10 min., 20 sec.)) sound, color |
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| 245 | 1 | 0 | |a Handel's Tamerlano |b Pierre Audi (stage director), Christophe Rousset (conductor) -- With Christophe Dumaux (Tamerlano), Jeremy Ovenden (Bajazete), Sophie Karthäuser (Asteria) |c Myriam Hoyer, director |
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| 511 | 0 | |a Patrick Kinmonth ; Matthew Richardson ; Pierre Audi | |
| 520 | 3 | |a Born in Germany, trained in Italy and nationalized English, the composer born Georg Friederich Händel was one of the most important, innovative, and cosmopolitan opera composers of the Baroque period (1600-1750), a true man of the theatre. In a span of just 20 days in 1724--the same year he created Giulio Cesare and Rodelinda--Handel wrote Tamerlano. With his inexhaustible melodic inventiveness, Handel knew how to evoke the complex humanity of operatic characters, alternating recitatives (a mixture of speech and song), arias (showpieces for the vocalists' prowess), and choral numbers to shape works of polished intensity--so highly prized that they spurred commercial competition between opera houses in the same city. This competitive environment, as well as the incessant public demand for new and more striking operas, inspired composers like Handel to explore avant-garde approaches (much as today's music industry does to pop stars!). In Tamerlano, Handel defied rules both written and tacit--offering a main role to a mature tenor at a time when the castrato voice dominated; and not shying away from shocking scenes that other composers approached hesitantly, like suicide. Pierre Audi's elegant, minimalist staging allows an all-star cast of singers to highlight the work's many dramatic elements, proving that Baroque opera can still move and thrill us as it did 300 years ago! | |
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Datensatz im Suchindex
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| format | Electronic Video |
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| id | DE-604.BV048409139 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-20T19:44:12Z |
| institution | BVB |
| language | English |
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| physical | 1 Online-Ressource (1 video file (3 hr., 10 min., 20 sec.)) sound, color |
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| publishDate | 2015 |
| publishDateSearch | 2015 |
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| publisher | WAHOO PRODUCTION · MEZZO LA MONNAIE |
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| spelling | Handel's Tamerlano Pierre Audi (stage director), Christophe Rousset (conductor) -- With Christophe Dumaux (Tamerlano), Jeremy Ovenden (Bajazete), Sophie Karthäuser (Asteria) Myriam Hoyer, director [Place of publication not identified] WAHOO PRODUCTION · MEZZO 2015 LA MONNAIE 2015 1 Online-Ressource (1 video file (3 hr., 10 min., 20 sec.)) sound, color tdi rdacontent c rdamedia cr rdacarrier Tamerlano, HWV 18 George Frideric Handel Patrick Kinmonth ; Matthew Richardson ; Pierre Audi Born in Germany, trained in Italy and nationalized English, the composer born Georg Friederich Händel was one of the most important, innovative, and cosmopolitan opera composers of the Baroque period (1600-1750), a true man of the theatre. In a span of just 20 days in 1724--the same year he created Giulio Cesare and Rodelinda--Handel wrote Tamerlano. With his inexhaustible melodic inventiveness, Handel knew how to evoke the complex humanity of operatic characters, alternating recitatives (a mixture of speech and song), arias (showpieces for the vocalists' prowess), and choral numbers to shape works of polished intensity--so highly prized that they spurred commercial competition between opera houses in the same city. This competitive environment, as well as the incessant public demand for new and more striking operas, inspired composers like Handel to explore avant-garde approaches (much as today's music industry does to pop stars!). In Tamerlano, Handel defied rules both written and tacit--offering a main role to a mature tenor at a time when the castrato voice dominated; and not shying away from shocking scenes that other composers approached hesitantly, like suicide. Pierre Audi's elegant, minimalist staging allows an all-star cast of singers to highlight the work's many dramatic elements, proving that Baroque opera can still move and thrill us as it did 300 years ago! opera Internet videos Hoyer, Myriam Sonstige oth Kinmonth, Patrick Sonstige oth Richardson, Matthew Sonstige oth Audi, Pierre Sonstige oth Handel, George Frideric Tamerlano, HWV 18 WAHOO PRODUCTION · MEZZO. Sonstige oth LA MONNAIE. Sonstige oth https://edu.medici.tv/en/operas/tamerlano-haendel-rousset-audi Verlag URL des Erstveröffentlichers Volltext digital rdatr video file rdaft |
| spellingShingle | Handel's Tamerlano Pierre Audi (stage director), Christophe Rousset (conductor) -- With Christophe Dumaux (Tamerlano), Jeremy Ovenden (Bajazete), Sophie Karthäuser (Asteria) Tamerlano, HWV 18 |
| title | Handel's Tamerlano Pierre Audi (stage director), Christophe Rousset (conductor) -- With Christophe Dumaux (Tamerlano), Jeremy Ovenden (Bajazete), Sophie Karthäuser (Asteria) |
| title_alt | Tamerlano, HWV 18 |
| title_auth | Handel's Tamerlano Pierre Audi (stage director), Christophe Rousset (conductor) -- With Christophe Dumaux (Tamerlano), Jeremy Ovenden (Bajazete), Sophie Karthäuser (Asteria) |
| title_exact_search | Handel's Tamerlano Pierre Audi (stage director), Christophe Rousset (conductor) -- With Christophe Dumaux (Tamerlano), Jeremy Ovenden (Bajazete), Sophie Karthäuser (Asteria) |
| title_full | Handel's Tamerlano Pierre Audi (stage director), Christophe Rousset (conductor) -- With Christophe Dumaux (Tamerlano), Jeremy Ovenden (Bajazete), Sophie Karthäuser (Asteria) Myriam Hoyer, director |
| title_fullStr | Handel's Tamerlano Pierre Audi (stage director), Christophe Rousset (conductor) -- With Christophe Dumaux (Tamerlano), Jeremy Ovenden (Bajazete), Sophie Karthäuser (Asteria) Myriam Hoyer, director |
| title_full_unstemmed | Handel's Tamerlano Pierre Audi (stage director), Christophe Rousset (conductor) -- With Christophe Dumaux (Tamerlano), Jeremy Ovenden (Bajazete), Sophie Karthäuser (Asteria) Myriam Hoyer, director |
| title_short | Handel's Tamerlano |
| title_sort | handel s tamerlano pierre audi stage director christophe rousset conductor with christophe dumaux tamerlano jeremy ovenden bajazete sophie karthauser asteria |
| title_sub | Pierre Audi (stage director), Christophe Rousset (conductor) -- With Christophe Dumaux (Tamerlano), Jeremy Ovenden (Bajazete), Sophie Karthäuser (Asteria) |
| url | https://edu.medici.tv/en/operas/tamerlano-haendel-rousset-audi |
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